The Print Council of America’s logo was designed and engraved by Andrew Stein Raftery, 2016.
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|Background image: Rembrandt van Rijn (Dutch, 1606–1669). The Three Trees, 1643. Etching, drypoint, and engraving. 8-5/16 x 10-15/16 in. (image); 8-7/16 x 11-1/8 in. (sheet, irregular). Saint Louis Art Museum, Museum Purchase, 161:2011.|
|Francisco José de Goya y Lucientes (Spanish, 1746–1828), The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos), Plate 43 from the series Los Caprichos, ca. 1800. Etching and aquatint, 8-3/8 x 5-15/16 in. (overall). Chazen Museum of Art, University of Wisconsin, Brittingham Endowment Fund purchase, 70.7.43.|
|Scipio Moorhead, engraver. Frontispiece to Phillis Wheatley (1753-1784), Poems on Various Subjects, Religious and Moral by Phillis Wheatley, Negro Servant to Mr. John Wheatley, of Boston, in New England (London, Printed for A. Bell and sold by Cox and Berry, Boston, 1773). Rare Books and Special Collections, Princeton University Library.|
|Abraham Bosse (French, 1604–1676), published by Roland Le Blond (French, 1596–1651/56), A Bookshop in the Palais de Justice, ca. 1640. Etching and engraving. 10 x 12-5/8 in. (plate); 13-1/4 x 16-3/4 in. (sheet). Museum of Fine Arts, Boston, The Elizabeth Day McCormick Collection, 44.950 (www.mfa.org).|
|Utagawa Hiroshige (Japanese, 1797–1858) and Utagawa Kunisada (Japanese, 1786–1864), Snow Viewing (Yuki no nagame), from the series An Elegant Genji (Fûryû Genji), 1853. Color woodcut
14 x 29 in. (overall). Chazen Museum of Art, University of Wisconsin, Bequest of John H. Van Vleck, 1980.2220.